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On Provide – Artwork Jewellery Discussion board

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On Provide – Artwork Jewellery Discussion board

by iclassadmin
août 7, 2023
in Jewelry and Watches
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On Provide – Artwork Jewellery Discussion board
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August, Half 1

There are such a lot of causes to buy artwork jewellery…

  • Rejoice that hard-earned promotion
  • Honor a once-in-a-lifetime event
  • Pay tribute to a serious accomplishment
  • Commemorate the start of a brand new relationship or the tip of 1
  • Pounce on the proper piece to spherical out a side of your assortment
  • Or put money into a deal with for your self—simply because

Artwork Jewellery Discussion board’s worldwide gallery supporters have fun and exhibit artwork jewellery. Our month-to-month On Provide collection permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a incredible piece you merely can’t stay with out! (Please contact the gallery immediately for inquiries.)

Pat Pruitt, Large Titanium Feather Necklace & Earring Set
Pat Pruitt, Massive Titanium Feather Necklace & Earring Set, 2023, necklace (earrings not proven), titanium, 37 inches (94 cm) lengthy, picture: Hee Jin Kang

Gallery: mahnaz collection, New York Metropolis (click on the gallery identify to hyperlink to the web site)
Contact: noelle wiegand (click on identify for electronic mail)
Artist: Pat Pruitt
Retail value: US$7,500

Pat Pruitt, of Chiricahua Apache and Anglo descent, from Laguna Pueblo, NM, US, breaks boundaries. Pruitt got here to jewellery making by way of the physique piercing business; therefore, his work makes use of implant-grade metal, titanium, and zirconium relatively than conventional silver. Recognized for his or her distinctive design sensibility, craftsmanship, and fabrication methods, Pruitt’s vessels and jewellery mix trendy industrial design with particular cultural signifiers—pottery, dentalium shells, and feathers. His work, which has received each main award at key Native American juried exhibits, resides within the British Museum, Museum of Arts and Design (US), Heard Museum (US), Newark Museum of Artwork (US), amongst others, and in quite a few non-public collections.

Caroline Gore, Mended
Caroline Gore, Mended, necklace,18-karat gold, 18-karat gold solder, sterling silver, metal, 22 ½ x 3 ½ x ¼ inches (572 x 89 x 6 mm), picture courtesy of Gallery Loupe

Gallery: Gallery Loupe Montclair, NJ, US (click on the gallery identify to hyperlink to the web site)
Contact: Patti Bleicher (click on gallerist’s identify for electronic mail)
Artist: Caroline Gore
Retail value: US$3,500

Caroline Gore’s jewellery, which normally incorporates black supplies, reminiscent of oxidized silver, jet, leather-based, glass, and hematite, typically remembers vintage codecs just like the chatelaine—albeit in a most modern guise.

Warwick Edgington, Untitled
Warwick Edgington, Untitled, 2023, bracelet, paua shell, rubber O-rings, 7 ⅞ x 2 ⅜ x ½ inches (200 x 60 x 12 mm), picture: Michael Couper

Gallery: Fingers Gallery Auckland, New Zealand (click on the gallery identify to hyperlink to the web site)
Contact: Lisa Higgins (click on identify for electronic mail)
Artist: Warwick Edgington
Retail value: NZ$900

Born in New Zealand, Warwick Edgington now lives and works in Sydney, Australia. Edgington works with the gorgeous pure supplies related to New Zealand—pounamu, paua shell, mother-of-pearl, and carnelian from the Coromandel Peninsula, close to Auckland, on the North Island. He units these into surprising dialogues with metals together with silver and cast chrome steel, but additionally with mirror and black rubber for a up to date twist on the standard.

Herman Hermsen, Necklace from the “Black and White” series
Herman Hermsen, Necklace from the “Black and White” collection, 2014, laminated Formica, 2 ½ inches (64 mm) in diameter, picture courtesy of Quittenbaum Gallery

Gallery: Quittenbaum Gallery Munich, Germany (click on the gallery identify to hyperlink to the web site)
Contact: Nadine Becker (click on identify for electronic mail)
Artist: Herman Hermsen
Retail value: €600 + VAT

Black and white at all times type a strong distinction. Hermsen makes use of this high quality and creates a hypnotizing impact via completely different angles within the bore.

Leonie Westbrook, Peel
Leonie Westbrook, Peel, 2023, earrings, oxidized Monel, paint, sterling silver posts, approx. 1 ⅜ inches (35 mm) in diameter, picture: Jane Bowden

Gallery: Zu design Adelaide, Australia
Contact: Jane Bowden
Artist: Leonie Westbrook
Retail value: From AUS$300 per pair

Leonie Westbrook has an unimaginable sense of proportion and coloration. Her dynamic items make the proper addition to your assortment. These Peel earrings are gentle and wearable, and they’re positive to turn out to be one in every of your favorites.

Pat Flynn, Necklace
Pat Flynn, Necklace, hand-forged iron, 18-karat yellow gold, diamonds, picture courtesy of Pistachios Up to date Artwork Jewellery

Gallery: Pistachios Contemporary Art Jewelry Chicago, IL, US (click on the gallery identify to hyperlink to the web site)
Contact: Pistachios Team (click on for electronic mail)
Artist: Pat Flynn
Retail value: US$11,495

This breathtaking necklace is made with hand-forged iron, 18-karat yellow gold, and diamonds for a little bit of sparkle. With curves that naturally observe the neckline, this necklace is extremely comfy to put on. Options embrace a hinge closure and a built-in mechanism to connect Pat Flynn’s pendants. Flynn is collected by many notable figures and establishments, together with the Smithsonian American Artwork Museum.

Karin Roy Andersson, Bracelet
Karin Roy Andersson, Bracelet, 2022, recycled plastic, thread, 3 ⅛ x 3 ⅛ x 2 ⅜ inches (80 x 80 x 60 mm), picture: Sofia Björkman

Gallery: Platina Stockholm Stockholm, Sweden (click on the gallery identify to hyperlink to the web site)
Contact: Sofia Björkman (click on gallerist’s identify for electronic mail)
Artist: Karin Roy Andersson
Retail value: US$700

Giving new life to leftovers and packaging—for instance, plastic bottles—offers Karin Roy Andersson satisfaction, and he or she appreciates that the fabric already carries tales. A relentless seek for new plastic supplies to recycle, and the interaction between her and the qualities of the supplies, challenges and motivates the maker. All of the plastic makes her marvel what in our time may be saved and in what form it is going to be handed on to the long run. The bracelet is versatile in dimension and matches anybody.

Lisa Walker, Dress 3
Lisa Walker, Gown 3, pendant, thread, cloth, 11 x 7 ⅞ x ⅜ inches (280 x 200 x 10 mm), picture: artist

Gallery: Funaki Melbourne, Australia (click on the gallery identify to hyperlink to the web site)
Contact: Katie Scott (click on gallerist’s identify for electronic mail)
Artist: Lisa Walker
Retail value: AUS$6,600

This embroidered work exhibits how, in some methods, Lisa Walker’s observe has come full circle. It’s cautious, neat work, extra akin on this spirit to her very earliest metalwork from the Otago Polytechnic days, earlier than the rebelliousness of her post-Munich interval. The attire are disembodied symbols of a sure sort of femininity, untethered from the gendered politic and diminished to easy shapes. Direct to the purpose of being cryptic, Walker says, “There are a hell of numerous costume shapes, they might morph. You may decide the period.” Not a lot an evidence as a touch and a problem …

Niklas Link, Cercopithecidae
Niklas Hyperlink, Cercopithecidae, 2020, brooch, metal, lacquer, cubic zirconia, chrome steel, 3 ⅛ x 2 ⅛ x ⅝ inches (80 x 55 x 15 mm), picture: artist

Gallery: Galerie Noel Guyomarc’h, bijoux et objets contemporains Montreal, Canada (click on the gallery identify to hyperlink to the web site)
Contact: Noel Guyomarc’h (click on gallerist’s identify for electronic mail)
Artist: Niklas Hyperlink
Retail value: CAN$1,680

Seeking his totem, object, or emblem of a bunch or particular person, Niklas Hyperlink started to see animal portraits seem in his creations. Persevering with his reflection of questioning, ensuing along with his self-portraits collection, he proposes completely different new characters.

Aaron Decker, Now You See Me
Aaron Decker, Now You See Me, demi-parure (necklace, brooch, keychain), enamel, silver, copper, nickel, platinum, necklace: 34 inches (86.3 cm) lengthy, flower brooch: 2 x 2 x ½ inches (51 x 51 x 13 mm), mouth: 4 ½ x 2 inches (114 x 51 mm), badge: 4 x 1 ¾ inches (102 x 44 mm), picture courtesy of Galeria Reverso

Gallery: Galeria Reverso Lisbon, Portugal (click on the gallery identify to hyperlink to the web site)
Contact: Paula Crespo (click on gallerist’s identify for electronic mail)
Artist: Aaron Decker
Retail value: €3,200

Aaron Decker’s work explores jewellery as an interaction of part components via particular codecs: demi-parures, lockets, and toys mixed with bomb-like collectible figurines. Like folks, they’re every a mixture of smaller selves that reconfigure over time, altering with the wearer. Generally a necklace, generally a keychain or brooch, these items battle with themselves, like all of us do.

Marianne Schliwinski, Remember
Marianne Schliwinski, Bear in mind, 2018, pins, papier-maché, glue, paint, lacquer, every ca. 3 ⅛–3 ½ x 1 ⅛–1 ⅝ x ¾–1 inches (80–90 x 30–40 x 20–25 mm), picture: 4

Gallery: Four Gallery Gothernburg, Sweden (click on the gallery identify to hyperlink to the web site)
Contact: Karin Roy Andersson (click on gallerist’s identify for electronic mail)
Artist: Marianne Schliwinski
Retail value: Every €100

In Marianne Schliwinski’s work, you see contrasts taking part in collectively. Her language consists of supplies and their completely different qualities. Issues won’t at all times be what they appear—gentle items with a heavy look and weighty works with a light-weight look. Schliwinski typically combines papier-mâché with discovered objects. Totally different paints and lacquers intensify the supplies and shapes. The composition, the supplies, and the colours inform smart, political, and generally humorous tales.

J Taran Diamond, Slippage VI
J Taran Diamond, Slippage VI, 2022, brooch, braiding hair, dyed silicone, anodized titanium, chrome steel, thread, 18 x 1 ½ x ½ inches (457 x 38 x 13 mm), picture: artist

Gallery: Baltimore Jewelry Center Baltimore, MD, US (click on the gallery identify to hyperlink to the web site)
Contact: Allison Gulick (click on identify for electronic mail)
Artist: J Taran Diamond
Retail value: US$400

J Taran Diamond is a metalsmith and interdisciplinary craft artist. They studied and taught on the College of Georgia and maintain a BFA from the College of North Texas. Diamond’s work has been exhibited nationally and internationally, together with in exhibitions at New York Metropolis Jewellery Week, Munich Jewellery Week, and the Czong Institute of Up to date Artwork, in Gimpo, South Korea. Exterior of the studio, Diamond is an advocate for Black folks in academia and works to dismantle the systemic limitations that make greater training inaccessible to Black folks. They are going to be becoming a member of the Baltimore Jewellery Heart as a educating fellow this fall.

Patricia Domingues, Semiconductor Device
Patricia Domingues, Semiconductor System, 2023, brooch, silicon, metal, 3 x 2 ½ x ⅜ inches (75 x 65 x 10 mm), picture: Nima Ashrafi

Gallery: In the Gallery at Brooklyn Metal Works Brooklyn, NY, US (click on the gallery identify to hyperlink to the web site)
Contact: Brian Weissman (click on gallerist’s identify for electronic mail)
Artist: Patricia Domingues
Retail value: US$3,150

“By way of my inventive observe,” states Patricia Domingues, “I’ve been exploring fracturing actions in each synthetic and pure supplies. What particularly intrigues me is the strain between intentional acts, reminiscent of chopping into the fabric, and uncontrolled accidents, reminiscent of fractures. By way of the need to manage, the fractures develop and are liberated as the fabric inevitably cracks in launch. The strains, fractures, and cuts seen in my work are at all times the results of repetitive gestures carried out on the fabric and its responsive language.”

Tore Svensson, Shapearp
Tore Svensson, Shapearp, 2020, necklace, metal, 10 ⅝ inches (270 mm) in diameter, picture: Catarina Silva

Gallery: Galeria Tereza Seabra Lisbon, Portugal (click on the gallery identify to hyperlink to the web site)
Contact: Tereza Seabra (click on gallerist’s identify for electronic mail)
Artist: Tore Svensson
Retail value: €1,100, plus transport

Tore Svensson, born in 1948 in Alfta, Sweden, studied first on the artwork faculty in Gävle and graduated in 1978 from HDK Faculty of Design and Craft, Gothenburg. From 1989 to 1996, he was lecturer at HDK, and afterward he labored as a professor for 2 years within the jewellery division. His work consists of jewellery and objects and is current in non-public and public collections, in addition to in museums everywhere in the world. He’s the recipient of a number of awards, amongst others from the Swedish Arts Grants Committee and the Herbert Hofmann Prize. About his jewellery, the artist says he has “been working the previous 20 years inside the geometric area … The initiatives I work with typically stretch over a protracted time frame. A brand new venture typically emerges from an ongoing one. The start and the tip of a venture is perhaps tough to discern. The collection consists of small displacements that change expression and content material.”

Felicia Mülbaier, Ohne Wandlung Keine Schmetterlinge II
Felicia Mülbaier, Ohne Wandlung Keine Schmetterlinge II, 2021, brooc, lapis lazuli, 14-karat gold, approx. 2 ⅛ x 1 ⅝ inches (55 x 40 mm), picture courtesy of Gallery Viceversa

Gallery: Gallery Viceversa, Lausanne, Switzerland
Contact: ilona Schwippel (click on identify for electronic mail)
Artist: Felicia Mülbaier (Germany)
Retail value: 2’100 CHF

“A really particular course of takes place through the dialogue with the fabric,” says Felicia Mülbaier. “I name this course of lingering; it means pausing between two conditions, between two actions. Whereas lingering, there isn’t a urge to create. It’s relatively that somethings stays behind, and after I discover it, somethings opens up within me. Throughout the course of, I make many acutely aware and unconscious selections that consequence from the time of statement. My very own concepts join with the chances unfolding via the fabric. Stone comprises details about its origin, concerning the time it took to seem on the floor of the earth, and the way it discovered its manner into my workshop.”



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