Art
#found objects
#Marc Bourlier
#sculpture
#wood

“Écran plat” (1999), driftwood and linen twine, 60 x 50 x 7 centimeters. All photographs © Marc Bourlier, shared with permission
Characterised by elongated noses and tiny, punched eyes and mouths, Marc Bourlier’s expressive figures collect in a perpetual state of curiosity and shock. The artist scours the seashores close to his residence in Normandy for driftwood, gathering an unimaginable number of dimensions and shapes to take again to the studio. He enhances the weathered grain with rigorously whittled heads and lengthy, limbless our bodies, packing the people tightly collectively on platforms or organizing them into compartments.
The nuances of colour play a job in Bourlier’s work, as he explores the connection between naturally occurring tones and delicate background hues. Not too long ago, the artist has composed tree motifs grounded by heat, brown surfaces crammed edge-to-edge with drawn linear patterns and a whole bunch of faces. Figures stand across the trunks and stability within the boughs, captured in an enigmatic narrative.
See extra of Bourlier’s work on his website and Instagram.

“Le Grand Cloisonné” (2017), driftwood, linen twine, and wallpaper, 120 x 90 x 5 centimeters

“L’arbre Voyageur” (2023), driftwood, wallpaper, and drawing, 50 x 40 x 6 centimeters

“Fétiches Arumbaya” (2020), driftwood, wallpaper, and drawing, 80 x 60 x 5 centimeters

“Cloisonné” (2017), driftwood, linen twine, and wallpaper, 40 x 40 x 5 centimeters

“L’arbre Sous le Lune” (2023), driftwood, linen twine, wallpaper, and drawing, 40 x 30 x 5 centimeters

“Portraits de Fétiches” (2019), driftwood, wallpaper, and drawing, 50 x 40 x 6 centimeters

“Nuages” (2017), driftwood, 80 x 70 x 7 centimeters

“Tous Dehors” (2015), driftwood, linen twine, and picket field, 35 x 15 x 12 centimeters

“L’étrange véhicule” (2023), driftwood, wallpaper, and drawing, 40 x 40 x 5 centimeters
#found objects
#Marc Bourlier
#sculpture
#wood
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