A bridge in the midst of a Montana forest seems eternally suspended mid-collapse, and a picket dock curls up out of the water in simply a few artist Cornelia Konrads’ site-specific interventions (previously). Utilizing discovered supplies like driftwood within the towering “tourbillon” or tapping into the regional vernacular just like the ceramic tiles and stone in “refuge,” the artist re-interprets present areas by contemplating the stress between concord and chaos in nature.
Konrads’ installations characteristic an interaction between permanence and weightlessness, as buildings corresponding to bridges, homes, and partitions seem to defy gravity. In “La folie des folies (3 The Match),” for instance, present classical statues of Hippomedes and Atalanta seem to playfully lob marble pots throughout a garden at each other. And in her most up-to-date work, “fluchtweg / escape route,” a stone wall curls apart to open a footpath, remodeling into an inviting gateway relatively than a barrier.
The works typically visually comment on a selected location, corresponding to “refuge,” which includes “an historic dry stone wall alongside an previous hyperlink highway between France and Spain, continuously utilized by refugees through the previous centuries,” whereas “bridge” suspends native lodgepole pine and weathered barn boards over a forested ravine.
Discover extra of Konrads’ land artwork and installations on her website.
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